In 2006, singer-songwriter Anais Mitchell, launched her folk-opera version of an Ancient Greek tale ‘Hadestown‘ – two lovers, separated by parallel worlds. When troubled songwriter, Orpheus, meets Eurydice, he proclaims her will marry her. But the world is dying and the only way to help regrow the planet is to finish his song. But as Orpheus is consumed with the muses, Eurydice is lonely and accepts an invitation to the underworld. When Orpheus discovers she is gone, he takes the long road to hell to rescue her. But can these young lovers escape Hades? And will they succeed in their quest for love? One thing is for sure – there’s no turning back!
I first saw Hadestown on Broadway and in the interval I had to google ‘what the f is going on’ as I didn’t know the origins of the show. But once I understood the story, I thought it was incredible. I’ve since seen the show several other times, both on Broadway and in its current home of London’s Lyric Theatre but this new cast could be the best yet.
Cedric Neal brings camp, colourful joy to the character of Hermes and Dylan Wood breaks hearts as Orpheus, with innocence in his eyes and a voice that soars. In the London production of Hadestown, cast members perform the roles in native accents, which brings something different with every new cast. Scottish Dylan creates a whole new layer of character, just with his tones. Equally, Chris Jarman brings dry british humour to the character of Hades, somehow making the character loveable.
I’ve said it before but Allie Daniel encompasses all the elements of a true rising star. Like Norma Desmond, she seems able to tell the story with just her eyes – making you laugh one moment and cry the next.
Victoria Hamilton-Barritt is truly underrated in the world of West End theatre. She is one of the best comedic actors of her generation and deserves far more recognition for her work. The role of Persophone is no different. She draws the audience in to her world and makes you feel like she is your best friend. Hilarious would be an understatement.
Hadestown is more relevant than ever right now and it couldn’t be any more appropriate for the West End. The song ‘Why We Build The Wall’ is shockingly similar to what is happening in America right now and serves as a reminder to us all of how things can quickly change in life.
If you haven’t seen Hadestown, you’re missing out on something very special and if you only see one cast, make it this one.
