The King of Pop exits London’s West End this weekend – MJ The Musical
MJ The Musical proves one thing beyond doubt – whatever your personal feelings about Michael Jackson, his influence on music is undeniable. Crowned the “King of Pop”, Jackson defined the sound of the 1980s and 1990s and this high-energy stage production celebrates that legacy in style.
Originally opening on Broadway in 2022, the musical is framed around the filming of a documentary in the lead-up to Jackson’s 1992 Dangerous World Tour. At this vital moment in his career, critics were watching closely. Could the new album and tour continue his rise to superstardom, or would the pressure finally crack the empire he had built?
Based on a real documentary that was being made at the time, reporter Rachel and her camera man Alejandro, follow Jackson around during intense rehearsals. As they gain his trust, he reflects on his journey, from his early days in the Jackson 5 under the watchful and abusive eye of his father Joseph, to becoming one of the most famous entertainers on the planet.
The show explores the relentless pressure to outdo himself. Determined to make the Dangerous World Tour bigger and more spectacular than anything before it, Jackson continually pushes creative and financial boundaries. When costs spiral, he faces the unthinkable – mortgaging his Neverland Ranch to protect his artistic vision. The musical paints a portrait of a man who refused to compromise on his art, no matter the cost.
The London production opened in March 2024 in the West End, where it has run for almost two years. While the Broadway production continues to play, this weekend marks the final curtain for the West End.
From the explosive opening number “Beat It” to the electrifying Act One finale “They Don’t Care About Us,” the show is packed with Jackson’s greatest hits, including “Man in the Mirror” and “Black or White.”
Koko Alexandra delivers a beautifully heartfelt performance of “I’ll Be There” sharing the stage with both Young Michael and MJ in a moment that captures the emotional core of the show.
Matt Mills gives a charismatic portrayal of Joseph Jackson, a deeply flawed and abusive father, yet one whose drive shaped a global phenomenon.
George Ross makes a confident West End debut, understudying the role of Berry Gordy, founder of Motown. Taking on the role at the show I attended, from the moment he stepped on stage, there was a quiet authority to his portrayal, capturing Gordy’s sharp business instincts and cool, watchful presence as the man who helped shape the sound of a generation.
Vocally, Ross came into his own during “You Can’t Win”. The number, performed alongside Mitchell Zhangazha’s energetic and emotionally open Teenage Michael, became one of the musical highlights of the evening. Ross’ gravelly, textured tone gave the song weight and grit, contrasting beautifully with Zhangazha’s youthful clarity.
It was also something of a super-swing Saturday, with several roles covered by understudies. Nay-Nay (Tito Jackson / Quincy Jones), Christopher Gopaul (Dave) and Rishard-Kyro Nelson (Adrian/Randy Jackson). Their performances were a powerful reminder of just how vital swings and understudies are in keeping West End productions running smoothly.
Jamaal Fields-Green’s portrayal of Michael Jackson is faithful to the singer’s famously shy and soft-spoken nature. However, while the vulnerability is clear, the explosive stage presence that made Jackson one of the most commanding live performers in history doesn’t always translate.
At times, diction is lost (particularly when his hat is worn low, obscuring his face). For a performer known for electrifying stadium audiences, the production occasionally feels like it’s missing that final spark at its centre.
As the West End production of MJ The Musical moonwalks out of London, it leaves behind a polished celebration of an icon whose impact on pop culture remains immeasurable. The choreography thrills, the music soars, and the supporting performances shine brightly.
★★★★
West End Wilma
