Full casting is announced today for the UK premiere of the hit Off Broadway musical Adding Machine: A Musical, composed by Joshua Schmidt, with libretto by Jason Loewith and Joshua Schmidt, and based on the classic play by Elmer Rice. Josh Seymour directs Joseph Alessi (Mr Zero), Kate Milner-Evans (Mrs Zero), Joanna Kirkland (Daisy Dorothea Devore) and Edd Campbell Bird (Shrdlu), with James Dinsmore (Mr One and as cast), Helen Walsh (Mrs One and as cast), George Rae (Mr Two and as cast), and Sue Appleby (Mrs Two and as cast). The production opens at the Finborough Theatre on Wednesday 28 September 2016 (Press Nights: Friday 30 September and Saturday 1 October 2016 at 7.30pm).
Ever feel like killing your boss?
After 25 long years spent adding figures in the same soul-crushing job, Mr Zero suddenly finds himself replaced by a machine. For the first time in his life, Zero takes his destiny into his own hands. The consequences set him on a path through this world and beyond, offering him one last chance for love, life and redemption.
Take an extraordinary journey with Mr Zero in this stirring and hilariously dark anti-musical as it asks us to consider the true price of a human soul, told through Joshua Schmidt’s haunting score, inspired by gospel, opera, jazz and rock and roll.
The UK premiere of Jason Loewith and Joshua Schmidt’s multi-award winning musical adaptation of Elmer Rice’s groundbreaking 1923 play is directed by Josh Seymour, named Best Director at the 2016 Off West End Theatre Awards for One Arm at Southwark Playhouse.
Adding Machine: A Musical won the Lucille Lortel Award for Outstanding Musical and the Outer Critics Circle Award for Outstanding New Off-Broadway Musical and Outstanding New Score.
Joshua Schmidt and Jason Loweith said, “Astonishingly, the themes of Elmer Rice’s 1922 play seem never more relevant than the time we find ourselves living in now, especially with the recent events in the UK. In adapting his provocative play, we set out to unearth the siren songs of the disenfranchised. This is not music of “simple” folk; rather it is a rich tapestry of love, dark humour, complexity, heartfelt earnestness, insecurity and anger. Whether it’s technological innovation or globalisation that leaves generations of people in the dust, we find it amazing how little those siren songs have changed in almost a century, how frequently they turn into the shrill cries of the racist and the nativist, and how their emotional reach spans so many borders. Diving into this material has made us both much more empathetic to the plight of those kicked to the curb, and more aware of the warning signs in their anger. And it has ultimately reinforced our belief that in the end, we are all individually responsible for our ability to overcome adversity in this ever-changing, constantly evolving world. It seems now is a fascinating moment for the musical to make its premiere in London.”