David Hunter joins the London cast of Beautiful Little Fool

London cast and creative team announced for the world premiere of Beautiful Little Fool, opening at Southwark Playhouse Borough from Thursday 15 January until Saturday 28 February 2026.

David Hunter – whose extensive musical theatre roles include WaitressOnceKinky Boots and The Time Traveller’s Wife – will star as ‘F. Scott’ in the world premiere production of Beautiful Little Foolalongside the previously announced Lauren Ward (MatildaDear Evan HansenStranger Things: The First Shadow) as ‘Scottie’, Hannah Corneau (WickedRenascenceFrozen) as ‘Zelda’,

With music and lyrics by Hannah Corneau and a book by Mona Mansour, directed by Michael GreifBeautiful Little Fool tells the story of Zelda and F. Scott Fitzgerald through the eyes of their daughter Scottie, as she rediscovers the lives and writings of her brilliant and tempestuous parents.

The world premiere production at Southwark Playhouse Borough from Thursday 15 January until Saturday 28 February 2026, with a national press night on Thursday 22 January.

The company is completed by David Austin-Barnes (Book of Mormon, US tour) as ensemble / cover ‘F.Scott’, Amy Parker (13 Going on 30, Manchester Opera House, Ride, Charing Cross Theatre) as Ensemble / cover ‘Scottie’ and ‘Zelda’, and Jasmine Hackett (Muriel’s Wedding, Leicester Curve, Toys the Musical, Watford) as swing.

David replaces the previously announced Declan Bennett who, due to another professional commitment, has had to withdraw from Beautiful Little Fool.

The release of the full Beautiful Little Fool concept album – featuring Jessie Mueller, Ryan Vasquez and Hannah Corneau – continues to build excitement ahead of the London premiere. Following the first single So Alive, sung by Jessie Mueller, audiences can also enjoy One Night in July, available to stream alongside the complete album on all major platforms, including Spotify and Amazon.

Recorded in New York with orchestrations and musical direction by Adam Rothenberg, the album offers an early introduction to Hannah Corneau’s lush and emotionally charged score.

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